I recently watched R.I.P.: Rest in Pieces: A Portrait of Joe Coleman, a 1997 documentary about the painter and performance artist. Coleman paints detailed, overwhelming, and chaotic scenes in a similar style to Hieronymus Bosch. Coleman's work is categorized as "outsider art," a condescending way of saying an artist is talented, but without the usual pretension of being an artiste.

This post explores how data mining, a rapidly changing discipline of new technologies and concepts, affects the individual right to privacy. As technology becomes more enmeshed in the daily lives of individuals, information on their activities is being stored, accessed, and used. Society is developing a new definition of privacy in this information environment, with few laws specifying privacy protection with electronic transmission and storage. Collecting and using data without limitations is unacceptable, but norms have changed enough that data collection has been accepted without much opposition.