At the core of an archivist’s social responsibility is recognizing that the archival record is a cornerstone of cultural heritage.
Service is at the heart of archival practice, underpinning the archivist’s commitment to facilitating access to primary sources.
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Beyond safeguarding historical records, archivists promote using and understanding invaluable resources.
In this essay, I provide a new critical consideration of the works of the semiologist Roland Barthes and the artist Victor Burgin. The influence of Barthes on Burgin’s work is well documented. Equally, Burgin’s prominence as a theorist concerned with text and image offers a productive dialogue with Barthes’ work. The interaction between the two is most apparent in my mind when they discuss the limitless possibilities of the panorama and panoramic vision.
